Remembering Steve Jobs

Stevejobs
”Power and sex!” Those were the words with which Steve Jobs introduced the first Powerbook made out of titanium in 2001. That was just the beginning of his second coming. Before that he had already rolled out Macintosh, NeXT and Pixar.

Jobs was a controversial personality, but one thing is certain – by instilling his charisma to make his products sexy, he reclaimed technology from the hands of technocrats.

Also, despite being neither designer nor engineer, Jobs excelled as the ”ultimate end-user”. Henry Ford once claimed “If I had asked people what they wanted, they would have said faster horses.” Steve Jobs never asked for faster horses, or cars for that matter – he demanded his personal jetpack.

In his last outing as Apple's CEO he attributed the company's success to the polygamous marriage of technology, liberal arts, and humanities. No mention of business, growth or profits there, yet this oblique approach yielded massive success.

One more thing… What really ought to resonate within the design and tech community left behind is Jobs's ability to articulate advanced concepts in a very inclusive way. One of the best examples of this was when he said ”Computer is the equivalent of bicycle for our minds”. And this was inspired by a scientific article on energy-efficiency of condors, humans and humans on bicycles. Thinking different is a polygamous affair indeed.

Visions fade

2010_02

Picture above is from the film '2010', so it's not HAL – but…

On the 50th anniversary of Yuri Gagarin's spaceflight I finally have an excuse to point out to the excellent blogpost on Kosmograd:  Why 2010 wont be like '2010'

Whereas HAL looked out into our world, today we look into the world created within the computer. […] Our ambition seems to have shrunk to the size of a touchscreen tablet. Expect a monolith of a very different kind.

Good night song: Miljoonasade – Fly on Juri Gagarin

 

Harmatia

Antigone

the Greek word for error or failure, used by Aristotle in his Poetics (4th century BCE) to designate the false step that leads the protagonist in a tragedy to his or her downfall. The term has often been translated as ‘tragic flaw’, but this misleadingly confines the cause of the reversal of fortunes to some personal defect of character, whereas Aristotle's emphasis was rather upon the protagonist's action, which could be brought about by misjudgement, ignorance, or some other cause.

Oxford Dictionary of Literary Terms via Answers.com

Picture by Chris O'Connor, choipaint.com